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CHECK YOUR English HOMEWORK with ME - meet&greet Ms myTutor - THIRD CONDITIONALS

2016. április 03. - EnglishOnline

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Intermediate (B1) level (Cosmo)

- harmadik típusú (múlt idejű) feltételes mondatok -

 

mytutor_3rd_conditionals.png

LEHETSÉGES FORDÍTÁSI MEGOLDÁSOK:

 

1. Segítettem volna neked, ha megkértél volna rá.

I would have helped you if you had asked me to.

2. Ha Jack nem mondta volna el nekem, nem tudtam volna róla.

If Jack hadn't told me, I wouldn't have known about it.

3. Időre ott lettünk volna, ha nem késtük volna le a buszt.

We would have been there on time if we hadn't missed the bus.

4. Ha Sally figyelmesebb lett volna, lehet, hogy nem szenvedtünk volna balesetet.

If Sally had been more careful, we might not have had an accident.

5. Ha Mike nem szerepelt volna abban a filmben, sose tudott volna híressé válni.

If Mike hadn't starred/appeared/played in that film, he could never have become famous.

6. Golfoztak volna, ha nem esett volna az eső.

They would have played golf if it hadn't rained.

7. Ha felhívtál volna, eljöttem volna.

If you had called me, I would have come.

8. Akár még meg is látogathattunk volna, ha tudtuk volna a címedet.

We could as well have visited you if we had known your address.

9. Ha elfelejtettem volna az esernyőt, eláztam volna.

If I had forgotten to take my umbrella, I would have got soaked to the skin.

10. Lehet, hogy nem késtem volna el, ha korábban felkeltem volna.

I might not have been late if I had woken up earlier.

11. Ha eszükbe jutott volna térképet vinni, nem tévedtek volna el.

If they had remembered to take a map, they wouldn't have got lost.

12. Grace átment volna a vizsgán, ha többet tanult volna.

Grace would have passed the exam if she had studied more.

13. A helyedben én azonnal hazamentem volna.

In your shoes/If I had been you, I would have gone home immediately.

14. Ha Jackie idősebb lett volna, több esze lett volna.

If Jackie had been older, she would have been wiser.

15. Mit tettél volna, drágám, ha találkoztál volna a férjemmel az utcán?

What would you have done, darling, if you had met my husband in the street?

 

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English-Online.hu

Describing a Person You Know Well - EXAM TRAINING - személyleírás ANGOLUL

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NYELVVIZSGA TÉMÁK :

Egy általad jól ismert személy jellemzése angolul B1 szinten

Minden szóbeli nyelvvizsgán felbukkanó téma lehet egy általad jól ismert személy (barát vagy rokon) jellemzése, leírása. Itt általában a következő dolgokat egy füst alatt letesztelik:

  • Eszedbe jut-e, hogy PRESENT SIMPLE-t használj, ha általánosságokat sorolsz fel valakivel kapcsolatban?
  • Eszedbe jut-e ragozni első szám harmadik személyben? (S igei személyrag)
  • Megvan-e a szókincsed egy személy külsejének (elvárt nyelvtudás szintednek megfelelő) részletes leírására?
  • Megvan-e a szókincsed egy személy belső tulajdonságainak, személyiségének (elvárt nyelvtudás szintednek megfelelő) leírására?
  • Tudatában vagy-e a look, look like (külső jegyek), a be like (belső jegyek) és a like (preferenciák) igék jelentéseinek, különbségeinek és tudod-e őket helyesen használni? SEGÍTSÉG ITT!!
  • Tudsz-e folyékonyan beszélni 1-2 percig a nélkül, hogy kérdésekkel a segítségedre sietnének?
  • Eszedbe jut-e különféle jövő időket használni (PRESENT CONTINUOUS, GOING TO, FUTURE SIMPLE), ha ezzel a személlyel kapcsolatos jövőbeli programjaidat, terveidet, a kapcsolatotokra vonatkozó jóslásokat szeretnél kifejezni?
  • Eszedbe jut-e Present Perfect-et használni arra, hogy mióta ismeritek egymást vagy mióta vagytok legjobb barátok?
  • Természetesen figyelik a nyelvhelyességedet, kiejtésedet, választékosságodat, folyékonyságodat stb. is, de a fentiek a legalapvetőbb kritériumok, amelyek nyomnak a latba ebben a témában.

A következőkben egy angol haladó/intermediate (CEF:B1) szintnek megfelelő, kérdéssor alapján felépített jellemzést fogsz látni. Természetesen a kérdéseket a vizsgán egyáltalán nem teszik fel, csak ha elakadsz. Általában csak azt az instrukciót kapod majd, hogy mutass be részletesen egy általad jól ismert egyént.

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What's her name?

Her name is Leila.

Where was she born?

She was born in Szeged, Hungary.

Where does she live?

She lives in a house with a large garden which is located in the 17th district in Budapest, it's quite far from the city center.

Who does she live with?

She lives with her boyfriend and her cats called Tom and Syllable.

What does she do?

She is an artist, in fact she's a painter.

Where does she work or study?

She works in her studio at home.

Does she like her job or studies? Why (not)?

She loves her job, she has always wanted to pursue an artistic career.

Is she going to change her job or studies in the future?

I don't believe she is going to change her job. She is the happiest person I have ever known.

What does she look like?

She is really pretty. She has long red hair and green eyes. She is average height and quite slim. She is very feminine and quite popular with guys.

What kind of clothes does she wear?

She usually wears green or blue clothes or floral dresses which suit her very well. She always looks so stylish!

What is she like? What's her best and worst quality?

She is quite talkative and friendly. She always smiles. Luckily, she has a great sense of humour too, so we always laugh a lot. She is also very open, honest and reliable. I guess that's what I like best about her. Your best friend should be someone you can trust 100%. Her greatest weekness is probably the fact that she is not sensible or practical at all. She's an eternal dreamer. But as far as I know her boyfriend is pretty down to earth so I guess she's safe with him.

What does she like doing in her free time? Does she do any sport or exercise? Which?

She enjoys being alone and reading romantic novels. Plus she likes dancing salsa and doing yoga and so do I, by the way, we go to the same gym twice a week.

What kind of music does she like?

She likes rock, jazz, deep house and lounge.

Does she speak foreign languages? Which?

She speaks fluent English and Spanish and she has been learning to speak French for 2 years now.

How often do you see each other?

We meet every week. We normally go out or do exercise together, or at least we have lunch once a week if we are really busy.

Do you get on well?

We get on really well, I love being together. We share a lot of memories, actually I have known her since I was 6.

What do you have in common?

We have a lot in common. We like the same kind of music, we prefer the same actors, we both are outgoing and arts fanatics. We usually talk problems over and we soon feel fine again. She's the best!

When are you seeing this person next?

I'm meeting her this Saturday.

What are you going to do together?

We're going to a Bori Péterfi concert. It's going to be so much fun! I can't wait!

Are you going to go on holiday together soon?

We are going to fly to Sicily next summer. We have wanted to go there for ages. We have to book into a hotel soon.

Do you think you'll stay good friends?

I'm sure we will be best friends forever!

 

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Melinda

English-Online.hu

✍ANGOL NYELVTAN KVÍZ! ☑ A mindent eldöntő PRESENT SIMPLE QUIZ!⌛ - Elég profi vagy?

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THE ULTIMATE PRESENT SIMPLE QUIZ! - Are you an Expert?

Teszteld tudásod 15 PRESENT SIMPLE kérdéssel!

Minden kérdésre csak egy helyes válasz van! present.png

 KATTINTS A KÉPRE VAGY A LENTI KÉRDÉSEKRE, HA MEG SZERETNÉD OLDANI A KVÍZT ONLINE! AZONNALI KIÉRTÉKELÉST KAPSZ! :)

1. Mire fordítanád a PRESENT SIMPLE-t?

a) egyszerű ajándék

b) folyamatos jelen

c) egyszerű jelen

d) befejezett jelen

2. Melyik mondat van PRESENT SIMPLE-ben?

a) I'm going to the cinema.

b) She doesn't smoke.

c) I've got a car.

d) He'll call you later.

3. Melyik mondat NEM PRESENT SIMPLE-ben van?

a) I can't drive.

b) He hates ice-cream.

c) We're flying to London next week.

d) Where are you from?

4. Melyik kommunikációs célt NEM ezzel az igeidővel fejezzük ki?

a) tartós, állandó állapot vagy helyzet

b) visszatérő, szokás- vagy rutinszerű cselekvések

c) általános igazságok

d) épp most zajló cselekvés, esemény

5. Ezen kívül még mit fejezhetünk ki ezzel az igeidővel (PRESENT SIMPLE)?

a) Azt, hogy épp az imént történt meg valami.

b) Órarendek, menetrendek kiolvasását.

c) Azt, ha épp folyamatban van egy cselekvés.

d) Azt, ha a közeljövőben levő fix programokról beszélünk.

6. Mi hiányzik ebből a PRESENT SIMPLE mondatból?

__________ they live in New York?

a) Are

b) Can

c) Haven't

d) Do

7. Mire NEM használjuk a PRESENT SIMPLE-t?

a) tények kifejezésére

b) átmeneti állapotokra

c) sportműsor közvetítésére

d) felkiáltó mondatokban a HERE és THERE szavakkal

Érdekelnek az angolos videók?

 IRATKOZZ FEL az ANGOL VLOGyoutube_even_smaller.pngnyelvoktató csatornámra!

8. Hogyan tagadjuk a GO igét PRESENT SIMPLE-ben?

a) don't go vagy doesn't go

b) not go

c) aren't going vagy isn't going

d) not going

9. Mi hiányzik a következő PRESENT SIMPLE mondatból?

She __________ Spanish, she __________ Italian.

a) can't, can

b) doesn't, does

c) isn't, is

d) hasn't, has

10. PRESENT SIMPLE igeidőben fejezzük ki, hogy mi áll (mi van leírva) egy könyvben, újságban, levélben stb.

a) Igaz.

b) Hamis.

c) Mindegy itt, hogy melyik igeidő.

d) Attól függ, mi áll benne.

11. Ez a mondat PRESENT SIMPLE-ben van: Can you cook?

a) Igaz.

b) Hamis.

12. Tipikus PRESENT SIMPLE időhatározók/ gyakoriság határozók:

a) at the moment, temporarily, now

b) never, twice a week, hardly ever

c) soon, next time, later

d) just, already, yet

13. Csak SIMPLE igeidőkben, pl. PRESENT SIMPLE-ben használhatjuk a következő igéket:

a) cook, go, have, meet

b) have, think, feel, smell

c) want, love, own, exist

d) be, live, see, taste

14. Melyik mondat NEM PRESENT SIMPLE?

a) We have a car.

b) We haven't got a car.

c) Does she have a car?

d) They have no car.

15. PRESENT SIMPLE E/3. (első szám harmadik személy) -ben kijelentő mondatban a BIRTOKOLNI ige így néz ki:

a) have

b) haves

c) has

d) is

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Másik kvíz posztot ITT találsz!

Teljesen más jellegű feladatot pedig ITT!

Még többet szeretnél tudni az egyszerű jelen időről? KATT!

Cheers,

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SON of SAUL - Official Cannes Film Festival Interview + Auschwitz & filmes szószedet + szövegértés feladat

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"Eldöntöttük, már jóval a forgatás előtt, hogy  ragaszkodni fogunk egyfajta dogmához: a filmnek nem szabad szépnek lennie, a film nem lehet tetszetős, nem készíthetünk horror filmet...Saul nézőpontjánál maradni egyet jelent azzal, hogy nem lépünk túl az ő látóterén vagy azon, amit ő hall, a jelenlétén...a kamera az útitársa és vele marad mindvégig ebben a pokolban" (Nemes Jeles László)

Hivatalos Cannes interjú angolul Nemes Lászlóval, készítette: Antoine de Baecque.

SZÖVEGÉRTÉS FELADAT: Az interjú elolvasása után állapítsd meg, hogy a szöveg végén található állítások igazak (TRUE) vagy hamisak (FALSE).

A segítő Auschwitz+Movie Making szószedetet szintén a szöveg végén találod.

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How did the idea for SON OF SAUL come to you?
When we were making A londoni férfi (The Man from London), in Bastia, the shoot was interrupted for a week and in a bookstore I found a book of eyewitness accounts published by the Shoah Memorial called Des Voix sous la cendre (Voices from beneath the Ashes), also known as “The scrolls of Auschwitz.” It’s a book of texts written by former Sonderkommando members from the extermination camps who had buried and hidden their written testimonies before the rebellion in 1944. The actual documents were found years later. They describe their daily tasks, how the work was organized, the rules by which the camp was run and Jews exterminated, as well as how they put together a certain form of resistance.
What was the Sonderkommando? What did its members do?
They were prisoners chosen by the SS to escort new transports of prisoners to the gas chamber buildings, to get them to undress, reassure them and lead them into the gas chambers. After, they would remove and burn the corpses all the while cleaning the space. And it all had to be accomplished very quickly because other prisoner convoys were already on the way. Auschwitz-Birkenau functioned like a factory producing and eliminating corpses on an industrial scale. In the summer of 1944, it was running at full capacity: historians estimate that several thousand Jews were assassinated there every day. During the course of their mission, the Sonderkommandos were given a relatively preferential treatment. They were allowed to take food found in the transports and, within the confines of their perimeter, have a relative freedom of movement. But the task they were assigned was grueling and they were regularly eliminated every three or four months by the SS in order to ensure that there were no witnesses to the extermination.
Was your family affected by the Shoah?
A part of my family was assassinated in Auschwitz. It was something we talked about every day. When I was little, I had the impression that “evil had been done.” I imagined it like a black hole burrowed within us; something had broken, and my inability to grasp exactly what it was kept me isolated. I didn’t understand for many years. Then, the time came for me to reconnect with that specific part of my family’s history.
Why did you choose to use the Sonderkommando accounts?
I have always found movies about the camps frustrating. They attempt to build stories of survival and heroism, but in my mind they are in fact recreating a mythical conception of the past. The Sonderkommando accounts are on the contrary concrete, present and tangible. They precisely describe, in the here and now, the “normal” functioning of a death factory, with its organization, its rules, work cadences, shifts, hazards, and its maximum productivity. In fact, the SS used the word “Stück “ (“parts”) when speaking about corpses. Corpses were produced in that factory. These accounts allowed me to see it all through the eyes of the extermination camps’ damned.
But how do you go about telling a story, a fictional story, from within the middle of a fully functioning extermination camp?
That was problematic, indeed. I didn’t want to make a hero of anyone; I didn’t want the survivor’s point of view, nor did I want to show all or even too much of this death factory. I just wanted an angle that would be specific, pared down, and to tell a story as simple and archaic as possible. I chose the viewpoint of a man, Saul Ausländer, a Hungarian Jew, member of the Sonderkommando, and I strictly upheld this position: I show what he sees, no more and no less. Yet it isn’t a “subjective stance,” because we see him as a character and I didn’t want to reduce the film to a purely visual approach. That would have been artificial. Aesthetics, any exercise in style or virtuosity needed to be avoided. Moreover, this man is the point of origin of a unique, obsessive and primitive story: he believes he has recognized his son among the gas chamber victims and is henceforth determined to save his body from the ovens, find a rabbi to say Kaddish and bury him. Everything he does is defined by this mission, which seems utterly pointless in the context of the hell on earth that is the extermination camp. The film concentrates on one point of view and one person’s line of action, which allows the character to come across other points of view and other actions. The camp, however, is perceived through the prism of Saul’s journey.
Much research and documentation must have gone into making this film, a veritable historian’s approach…
My co-screenwriter, Clara Royer, and I learned together. We read other eyewitness accounts, from Shlomo Venezia and Filip Müller, but also that of Miklós Nyiszli, a Hungarian Jewish doctor who was assigned to the crematoriums. Then of course there was Claude Lanzmann’s Shoah, in particular the Sonderkommando sequences, including the Abraham Bomba account, which remains a reference. Finally, we received the very helpful support of historianslike Gideon Greif, Philippe Mesnard and Zoltán Vági.
Did you forbid yourself anything?
I didn’t want to have to show the face of horror openly, or to recreate the atrocity by going into the gas chambers while people were dying. The film strictly follows Saul’s movements. So we stop at the door of the gas chamber and enter only after the extermination in order to remove the bodies and wash away any traces of what occurred there in preparation for the next group. These missing images are those of death; images that can’t be reconstructed, and shouldn’t be touched or manipulated. Because it is important for me to stay with Saul’s point of view, I only show what he sees; what he pays attention to. He’s been working in the crematorium for four months: as a protective reflex, he no longer notices the horror, and so I relegated the horror to the background, blurred or off screen. Saul only sees the object of his quest; this provides the film with its visual rhythm.
How did you film it?
The cinematographer, Mátyás Erdély, the production designer, László Rajk and I decided well before the shoot that we would stick to a sort of dogma: “the film cannot look beautiful,” “the film cannot look appealing,” “we cannot make a horror film,” “staying with Saul means not going beyond his own field of vision, hearing, and presence,” “the camera is his companion, it stays with him throughout this hell.” We also wanted to use traditional 35mm film and photochemical processing at every stage. It was the only way to maintain a certain instability in the images, and thus be able to film this world organically. The challenge was to strike an emotional chord in the audience – something that digital doesn’t allow for. All of this implied a lighting technique that was diffused, industrial and as simple as possible. It also required filming with the same lens, a 40mm, a restricted aspect ratio, and not something like scope which widens one’s field of vision. We had to always remain at the character’s eye level and stay with him.
Saul wears a jacket with a big red cross on the back…
Yes, it’s a target. The SS used it to make it easier to shoot men who tried to escape. For us, it was a visual target for the camera.
Did you have any other films in mind?
Idi i smotri (Come and see) by Elem Klimov (1985) was a great source of inspiration for me. The movie follows a boy in 1943 on the Eastern front and stays with him in an organic manner through his hellish adventures. But Klimov allowed himself far more baroque things than we did. In the movie’s first scene, everything is a blur and then a face suddenly appears - it is Saul’s. He appears out of nowhere. My first short film, With a Little Patience, starts like that as well. The audience, who sees him spring up, understands immediately that he’s the one they’ll be following throughout the film. We did a lot of work with the actors on their body language. Camp rules, and what is required for survival impose very specific body movements: to always look down, never look a SS in the eye; to walk taking small, regular, but swift steps; take off your hat to salute and don’t talk or, if you must, answer clearly, in German.
We quickly understand that there are several contradictory dynamics at play in the camp: submission to the SS, solidarity among Sonderkommando members, but also tension, rivalry, and the organization of a resistance.
Naturally, several standpoints exist within this horror, ranging from renouncement to resistance. And there are several ways to resist. In the film, we witness an attempted rebellion, which in fact took place in 1944, the only armed revolt in the history of Auschwitz. As for Saul, he chooses another form of revolt, which may seem irrelevant in this context. In following his personal quest, Saul is led to navigate between these different behaviors: recovering the boy’s body takes him to the autopsy rooms where he finds the doctors and anatomists. Looking for a rabbi brings him to come across other Sonderkommando groups and convoys of Jews headed for death. Circulating through the camp eventually leads him to take the same path as the resistance members. He sees all of this in snatches, and the audience too must try and understand by piecing together the fragments. No one has all the elements in hand; everyone has fragments with which they attempt to construct their vision of the whole.
At some point, Saul comes across members of the resistance who are trying to photograph the extermination process.
Something that was strictly forbidden by the SS, of course. In Birkenau, the Polish resistance was able to get one or a few cameras to the Sonderkommando in order to document the extermination. At unbelievably great risk, they were able to take a photograph just before the doors to a gas chamber were closed and then immediately afterwards: naked women approaching the shot; then their piled-up corpses, which were taken outside and burned right there on the ground.
And the four photographs shown during the Mémoire des camps [Memoir of the camps] exhibition, in 2001, four “images despite it all”? (A reference to the book by the art historian and philosopher Georges-Didi Huberman.)
These four photographs deeply affected me. They attest to the extermination, they constitute evidence, and ask essential questions. What should be done with an image? What can it represent? What viewpoint should we have when faced with death and barbarity? We integrated this moment into the heart of the film, as it corresponds to a segment of Saul’s journey through the camp when suddenly, just for a moment, he participates in the construction of our view of the extermination. And also, because of the representation of the image within itself, we are, at that point and only then, questioning the very status of representation.
Sound plays an important role in the film.
The sound designer, Tamás Zányi, who has worked on all my films, and I decided to work on a sound that was very simple, raw and yet quite complex and multidimensional. One has to be aware of the very particular sound atmosphere of these hellish factories. The multiplicity of tasks being accomplished, shouted orders, screams, and many languages were all intermingling: the German of the SS, the multiple languages spoken by the prisoners, among which was Yiddish, and those spoken by the victims who came from all over Europe. Sound can superimpose over the image, at times even taking its place, because some images are missing and rightfully so. I would compare it to diverse and sometimes contradictory layers of sound. And all this sound material needed to remain raw. It was important not to re-produce it or polish it.
Who is the person who plays Saul?
Géza Röhrig isn’t an actor, but a Hungarian writer and poet who lives in New York. I met him several years ago. He came to mind for the role probably because he is someone who is in constant motion, his facial features and his body are always changing. It is impossible to tell his age, for he is at once old and young, but also handsome and ugly; ordinary and remarkable, deep and impassive, quick-witted and slow. He moves, is given to fidgeting, but also knows how to keep silent and still. This character and your film endeavor to contrast a death ceremony and the death factory, rites and machinery, prayer and noise. When there is no longer any hope, from the deepest part of this hell, Saul’s inner voice says to him: you must survive in order to accomplish an act that bears meaning, a human, age-old, sacred meaning; a meaningful act that is at the very origin of the community of mankind and religions: paying respect to the body of the dead.

Interview by Antoine de Baecque

Reading Comprehension Task:

After reading the interview mark the sentences TRUE or FALSE.

1. A Sonderkommando's job involved burning dead bodies.
2. The director of the movie Son of Saul was inspired by family events.
3. Mr Nemes was frustrated because Holocaust movies had never had a happy ending.
4. Sonderkommandos used the word Stück for SS officers.
5. Son of Saul tells a story from a single point of view.
6. Saul thinks one of the corpses is a deceased family member.
7. The screenwriters had interviewed survivors of the extermination camps before they started shooting.
8. The movie contains a lot of disturbing scenes in the gas chambers.
9. The crew wished to shoot a film as real as possible without the improvement of pictures or sound.
10. Géza Röhrig was selected for the role because he is extremely versatile.

Auschwitz & Movie Glossary

 

to make a film= filmet készíteni
shoot, shooting= forgatás
was interrupted= félbeszakították/-tuk
eyewitness accounts= szemtanú beszámolók
ashes= hamvak
scrolls= kézirattekercsek
extermination camp= haláltábor
to bury= eltemet
testimony=tanúságtétel, tanúvallomás
rebellion= lázadás
jews= zsidók
exterminate= kiirt, kivégez, megsemmisít
resistance= ellenállás
prisoners= elítéltek
gas chamber= gázkamra
undress= levetkőzik
remove= eltávolít
burn= eléget
corpses= holttestek
prisoner convoys= rabszállítmány
factory= gyár
eliminating= felszámol, megsemmisít
on an industrial scale= ipari méretekben/volumenben
were assassinated= gyilkosság áldozatául estek, merényletet követtek el ellenük
preferential treatment= megkülönböztetett bánásmódban részesültek
were allowed to= engedélyezett volt számukra
transports= szállítmányok
freedom of movement= szabad mozgás
witnesses= szemtanúk
evil= gonoszság, gaztett, bűn
movies= filmek
survival= megmenekülés, túlélés
heroism= hősiesség
death factory= halálgyár
organization= szervezés
rules= szabályok
work cadences= munkaritmus
shifts= műszakok
hazards= kockázatok
productivity= eredményesség, termelékenység
were produced= gyártották őket
the extermination camps’ damned= a haláltábor elátkozottjai
a fictional story= kitalált történet, fikció
hero= hős
survivor’s point of view= túlélő nézőpontja
angle= szög
pared down= leszűkítve, lefaragva
viewpoint= nézőpont
subjective stance= személyes/szubjektív álláspont/nézőpont
approach= megközelítés
artificial= mű, nem igazi, csinált
needed to be avoided= kerülni kellett
victims= áldozatok
save= megment
ovens= kemencék
rabbi= rabbi
character= szereplő, karakter
veritable historian’s= valóságos történészi
co-screenwriter= társ forgatókönyvíró
was assigned to= egy feladattal meg volt bízva, egy helyre ki volt jelölve
crematoriums= krematóriumok
were dying= haldokoltak
traces= nyomok, maradványok
occurred= (meg)történt
death= halál
the horror= a borzalom
relegated sg to the background= háttérbe szorítani valamit
blurred= elhomályosítva, elmosódottan
off screen= filmvásznon kívül
to film= filmez, filmre vesz
cinematographer= operatőr
production designer=látványtervező, díszlettervező
appealing= tetszetős, attraktív
presence= jelenlét
photochemical processing= fotokémiai kidolgozás/eljárás/feldolgozás/
lighting technique= világítástechnika
diffused= diffúz, szétszórt
industrial= ipari
lens= lencse
restricted aspect ratio= behatárolt képarány/méretarány
scope= szkóp, képcső, objektív
widen= kiszélesedik
vision= látás, látótér
target= célpont
source= forrás
Eastern front= keleti font
in an organic manner= szerves módon, szervesen
hellish adventures= pokoli kalandok
appears out of nowhere= a semmiből tűnik fel
short film= kisfilm, rövidfilm
the audience= a közönség
body language= testnyelv
specific= pontos, meghatározott, bizonyos
movements= mozdulatok
look a SS in the eye=SS tiszt szemébe nézni
salute= tiszteleg
contradictory= ellentmondásos
submission= alárendeltség, engedelmeskedés, behódolás
tension= feszültség
rivalry= rivalizálás
resistance= ellenállás
renouncement=(passzív) ellenállás, engedelmesség megtagadása, lemondás
autopsy= boncolás
circulate= körbejár
path= ösvény, út, csapás
in snatches= részletekben, darabokban, töredékekben
piecing together the fragments= összerakni a részleteket
elements= elemek, részek
strictly forbidden= szigorúan tilos
piled-up= felhalmoz, halmokba rak
attest to= bizonyságot tesz valami mellett, bizonyít
image= kép
face with death= szembenéz a halállal
integrate= integrál, ötvöz
plays an important role = fontos szerepet játszik
sound designer= hangmérnök
raw= nyers
multidimensional= többdimenziós
orders= parancsok
screams= sikolyok
intermingling= összefolyik, összefonódik
superimpose over the image=egymásra filmez képeket
layers of sound= hangsávok, hangrétegek
polish=feljavít, csiszol, "kozmetikáz"
poet= költő
role= szerep
in constant motion= állandó mozgásban
facial features= arcvonások
ordinary and remarkable= hétköznapi és különleges
quick-witted= gyorseszű, gyors felfogású, eszes
fidgeting= izgés-mozgás
silent= szótlan
still= mozdulatlan
rite= rituálé, szertartás
machinery= gépeszet
prayer= ima
inner voice= belső hang
bears meaning= jelentéssel/tartalommal bír
a human= ember
sacred= szent
mankind= emberiség
religion= vallás

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English-Online.hu

US STORY: ***** From BRUCE to CAITLYN ***** - A Journey to Courage - The Award Ceremony+GAPS to fill

Angol tanulás online és offline, akárhol vagy bárhol! English-Online.hu :) Nyelvtanulás és szórakozás egy helyen!

As she puts it:

"2015 is gonna be quite a ride, quite a ride..."

"Bruce lives _ lie. SHE is NOT _ lie. I just can’t do it anymore.” (Bruce Jenner) Mi hiányzik az idézetből? Aprócska dolognak tűnhet, de a NÉVELŐK (ARTICLES) helyes használata egy idegen nyelvben még haladó nyelvtanulókon is sokszor kifog. Miközben olvasol, töltsd ki a szenzációs sztori szövegét határozott névelővel (THE), határozatlannal (A/AN), de vigyázz, van úgy, hogy egyáltalán nincs szükség névelőre (-)!

 

bruce.jpg

THE STORY:

Minden idők legjobb amerikai ex-atlétája, az olimpiai tízpróba bajnok Bruce már mint Caitlyn Jenner vehette át júliusban a kiemelkedő teljesítményt nyújtó sportolóknak járó ESPY tiszteletbeli Bátorság Díját a Los Angeles-i díjátadón. 65 év megpróbáltatásai után Bruce végül őszintén feltárta családja és a nyilvánosság előtt az egész világot sokkoló tényt: egészen kisgyermekkora óta mindig is a női nemmel azonosult, titokban női ruhákba bújt, amikor sem az akkori felesége, sem a gyerekei nem látták, mi több, szembesítette szeretteit azzal, hogy valójában idegenként élte le saját testében élete legjavát. Néhány hónappal ezelőttig képtelen volt megosztani bárkivel élete legnagyobb dilemmáját, őrlődéseit és titkolózását, beleértve a legközelebbi hozzátartozóit is, amikor is végül beavatta családját a végső és visszafordíthatatlan elhatározásába: most már önmagaként akarja leélni hátralevő életét, amihez transzszexuális átalakító műtéten kíván átesni. Az operáció óta Caitlyn először boldog, a közvélemény szerint igazán vonzó nő és a legkritikusabb időszakon túljutott családja bevallása alapján most sokkal jobb szülő, kiegyensúlyozottabb és boldogabb ember lett. Jelenleg napi életébe enged bepillantást új valóságshow-ja, az I AM CAIT.

A kitöltendő eredeti brit újságcikk az ESPY Díjátadóról szól, amire múlt hónapban került sor.

Segítő szószedetet a cikk végén találsz :)

Kellemes angolozást!

 

bruce8.jpg

CAITLYN JENNER SPEAKS FROM THE HEART DURNIG AN EMOTIONAL EVENING ABOUT FINDING THE COURAGE TO BE HERSELF

 

Watched by her family, Caitlyn Jenner looked both proud and emotional as she accepted ___(1) Arthur Ashe Courage Award at the Excellence in ___(2) Sports Performance Yearly Awards in Los Angeles.

Making her first public appearance since announcing in ___(3) interview on US TV in April that she was making the transition from male to female, the 65-year-old former athlete, who won ___(4) gold medal as Bruce Jenner in the men's decathlon in ___(5) 1976 Montreal Olympics, received a standing ovation after a rousing acceptance speech in which she thanked her family and highlighted the challenges faced by ___(6) transgender people.

bruce1.png

Speaking before ___(7) ceremony, Caitlyn's 31-year-old son Brody, from Bruce's second marriage, to songwriter and former actress Linda Thomson, talked exclusively about overwhelming support Caitlyn has received since changing gender.

"None of us knew what was going to happen," he said. "All ___(8) family has 100 per cent supported Caitlyn and said, 'Go for it.' So I hoped for that and was blown away by the amount of support that was out there. It has been pretty inspirational to watch."

bruce12.jpg

Brody knew about ___(9) planned transition as far back as 2012.

"You could just tell Bruce had some secrets. Obviously, I couldn't tell how deep those secrets were, what Bruce was really hiding, but when my mother told me, about three years ago, I think ___(10) first thing I said was, 'I need ___(11) drink'. And so I knew for years before Bruce decided to tell me. In that type of situation, you want the person who is going through the struggle to come out and you don't want to bring it up with them, so I waited.

"I felt very relieved for Caitlyn  when she told me because I knew it was ___(12) secret that she had been harbouring for ___(13) very long time.

bruce5.jpg

WONDER WOMAN

When the announcement was made in early June that Caitlyn was to be honoured with an award, she had tweeted: "What ___(14) hell am I going to wear? On the night, looking elegant in ___(15) white Atelier Versace silk gown, she began her ten-minute speech on a light-hearted note.

"It seems like every time I turn around in ___(16) life, I'm putting myself in these high-pressure situations," she said. "But I've never felt more pressured than I ever have felt in my life than over the last couple of months. Picking out this outfit - okay, girls I get it! You've got to get the shoes, the hair, the make-up, ___(17) whole process. It was exhausting. And next, the fashion police - please be kind on me, I'm new at this."

bruce3.jpg

Sitting in the audience were Caitlyn's sister Pam, her mother Esther and her six children - son Burton and daughter Cassandra from Bruce's first marriage to Chrystie Scott, who was also present; son Brody and his brother Brandon; and daughters Kendall and Kylie from Bruce's third marriage to Kris Kardashian.

Kris was also in the audience, as were her older daughters Kourtney, Kim said by Caitlyn to have been ___(18) most accepting of her transition - and Khloé Kardashian, who is said to have taken the news of her stepfather's transition the hardest. Their brother Rob wasn't there.

bruce6.jpg

It was while thanking her family that Caitlyn - whose new reality TV show, ___(19) I am Cait, starts this weekend on E! - became tearful.

"Here comes ___(20) tough part," she said. "I'd like to thank my family. Now, the biggest fear I've always had in coming out was I never wanted to hurt anyone else, most of all my family and my kids. I always wanted my children to be so proud of their dad because of what he was able to accomplish in his life. You guys have given so much back to me. You've given me so much support. I am so, so grateful to have all of you in my life. Thank you."

bruce9.jpg

Caitlyn's children have been supportive throughout her journey. On Father's Day, Kendall posted ___(21) photo on Instagram of herself as a toddler with Bruce, captioning it: " Happy Father's Day to ___(22) person who raised me, and taught me everything I know, my hero." She later praised Caitlyn's bravery in surprising the world as Vanity Fair's July cover girl and tweeted: "Be free now, pretty bird."

Kim, who met Caitlyn for the first time at the Vanity Fair photoshoot, said of her shortly afterwards: "She's beautiful and I'm so proud that she can just be her authentic self. I guess That's what ___(23) life is about."

Esther, who also supported Bruce's transition to Caitlyn, received a special mention in the speech. "You know I have always thought that I got my courage and my determination from my dad..., said Caitlyn. "But you know what I'm realising now Mom? I think I got all those qualities from you."

bruce11.jpg

CALL TO ARMS

The main thrust of Caitlyn's speech, though, was to rally support for the transgender community. Bruce had made his first transition attempt in ___(24) late 1980s, when he took hormones, but abandoned treatment over concerns about his family before pursuing it again after his third marriage ended in 2013. Describing the process as "eye opening, inspiring but also frightening", Caitlyn laid out in stark terms the dangers young trans people face today.

"They are getting bullied, they're getting beaten up, they're getting murdered and they're committing suicide.," she said, adding later: "If you want to call me names, make jokes, doubt my intentions, go ahead, because ___(25) reality is I can take it. But for the thousands of kids out there coming to terms with being true to who they are, shouldn't have to take it."

bruce14.jpg

Want to know more?

Watch Caitlyn's Courage Award Acceptance Speech

Watch Jenner's Final Interview as Bruce

Watch Bruce Reveal His Transitioning to His Family

Watch How the Family Accepts the Truth

Watch Reality Show I Am Cait Trailer

 

GLOSSARY AID KIT:

herself=önmaga (nőként)

courage=bátorság

proud=büszke

emotional=elérzékenyült

to accept=elfogad, átvesz (díjat)

award=díj

excellence=kiválóság

public appearance=nyilvános szereplés

to announce=bejelent

transition=ellenkező neművé alakító operáció

decathlon=tízpróba

rousing acceptance speech=lelkesítő díjátvételi beszéd

to highlight=kiemel, hangsúlyoz

challenge=kihívás

transgender=transzszexuális

ceremony=ünnepség

overwhelming=túláradó

support=támogatás, segítség

gender=nem

be blown away=el van kápráztatva

amount=(itt) mértéke vminek

you could just tell=egyszerűen lehetett tudni/érezni

to hide=rejteget

struggle=küzdelem, küszködés

to come out=felfedni magát, napvilágra hozni vmit

to bring sg up=felhozni, előhozakodni valamivel

secret=titok

to harbour=rejteget

relieved=megkönnyebbült

announcement=publikus kinyilvánítás, kihirdetés

to be honoured=megtiszteltetés éri

silk gown=selyem estélyi ruha

speech=beszéd

on a light-hearted note=emelkedett szívvel/hangulatban

pressure=nyomás

outfit=öltözék, szerelés

process=folyamat

exhausting=kimerítő

be kind on me=bánjatok finoman/kedvesen velem

I'm new at this=újonc/tapasztalatlan vagyok ebben/ezen a területen

audience=közönség

accepting=elfogadó

to take sg the hardest=a legnehezebben visel vmit

tearful=könnyes

reality show=valóságshow

stepfather=mostoha apa

tough=kemény, durva, nehéz

to accomplish=elérni valamit

supportive=segítőkész, támogató

throughout=mindvégig keresztül valamin

journey=út, utazás

toddler=totyogó baba

to caption=képet elnevez/leír, képleírást csatol

to raise sy=felnevel

to praise=méltat, dícsér

bravery=courage=bátorság

Vanity Fair=Hiúság Vására (magazin)

cover girl=címlaplány

photoshoot=fotózás

authentic self=igazi, valódi énje vkinek

I guess=úgy gondolom

that's what life is about=erről szól az élet

mention=említés

determination=eltökéltség

to realise=rádöbben

qualities=belső értékek, jó tulajdonságok

thrust=lökés

to rally=feléleszt, gyűjt

attempt=kísérlet, próbálkozás

to abandon=felhagy vmivel

treatment=kezelés

over family concerns=családi okok/aggodalmak miatt

to pursue=folytat

laid out in stark terms=szépítés nélkül nevén nevezte a dolgokat

to face=szembenéz

to get bullied=bántalmazzák

to get murdered=meggyilkolják

to commit suicide=öngyilkosságot követ el

to add=hozzátenni

to call sy names=szidni, csúnya szavakkal illetni vkit

to make jokes=viccelődik, gúnyolódik

to doubt=kételkedik

intention=szándék

go ahead=csak rajta, mindent bele

I can take it=én elviselem, eltűröm

to come to terms with sg=megbékél, elfogad vmit

 

 

Hogy tetszett a sztori és a névelős feladat? Ha megért egy LIKE-ot, nyomj egy LIKE-ot! :D

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Másik feladatot ITT találsz!

Cheers,

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TURBÓZD FEL a LISTENING SKILL-ed PART I: 100 GYAKORI KIFEJEZÉS!

Angol tanulás online és offline, akárhol vagy bárhol! English-Online.hu :) Nyelvtanulás és szórakozás egy helyen!

Nélkülözhetetlen ELŐSZÓBELI kifejezések,

melyekkel ugrásszerűen megnő majd

a hallott szövegértési készséged! Hurrá! :)

Nagyszerű hírem van a számotokra! Mivel diákjaim 99,99 %-a bevallottan küszködik a LISTENING feladatokkal nyelvórán, pláne NYELVVIZSGÁN, ezért összeszedtem Nektek 100 OLYAN SZÓT ILLETVE KIFEJEZÉST, amelyek roppant gyakran elemei ezeknek a szövegeknek és amelyek ismeretében GARANTÁLTAN ugrásszerűen megnő majd az élőszóbeli, azaz, HALLÁS UTÁNI SZÖVEGÉRTÉS készségetek! Ez a lista több részes lesz, egyelőre ismerkedjetek az első adaggal:

listening.jpg

 

PART I : 100 GYAKORI SZÓ ÉS KIFEJEZÉS LISTENING SZÖVEGEKBEN (középhaladó szint - pre-intermediate level)

 

1. (not) at all= egyáltalán (nem) => I didn't like this film at all.=Egyáltalán nem tetszett ez a film.

2. a bit shy= egy kissé/kicsit félénk =>My boyfriend is a bit shy.=A pasim egy kissé félénk.

3. a complete disaster= kész katasztrófa=>Our holiday was a complete disaster.=Kész katasztrófa volt a nyaralásunk.

4. all the time= állandóan/nonstop => The baby cries all the time.=A kisbaba nonstop bömböl.

5. answer the phone= felveszi a telefont

6. Are you ready to order?= Tudják már, hogy mit szeretnének rendelni?(étteremben)

7. Are you sure?= Biztos (vagy benne)?

8. as a nurse= nővérként=>My mum works as a nurse in a hospital.=Anyukám nővérként dolgozik egy kórházban.

9. As a result,...= Ennek eredményeképpen...

10. as I said= ahogy mondtam/említettem (már)

11. ask for directions= útbaigazítást kérni

12. as usual= mint mindig/mint általában/ahogy szokta

13. as well= szintúgy/ugyanúgy/is/szintén

14. as you know= ahogy azt mindannyian tudjuk/ahogy magad is tudod

15. at first= először, eleinte

16. at the back of the…= a valami hátsó részén

17. at the end of= valaminek a végén

18. be* called= hívják/nevezik vminek->What is it called in English?=Ezt minek hívják angolul?

19. both like= mindketten kedvelik=both+verb=mindketten cselekszik azt a dolgot

20. Can I introduce you to Mel.= Hadd mutassalak be Mel-nek.

listening7.jpg

21. come on= gyerünk/ez az/ugyan már/ne viccelj már/na ne már

22. definitely= határozottan/mindenképpen

23. dial a number= tárcsáz egy számot telefonon

24. eternal= örök

25. Exactly!= Pontosan! Épp erre gondoltam!

26. Excuse me/us.= elnézést kérek/kérünk

27. for example/for instance/e.g./such as/like= például

28. For main course?= Főételnek mit fogyasztana? (étteremben)

29. for the very first time= legelső alkalommal

30. full of sg= tele valamivel

31. get on well= jól kijönni valakivel

32. Go straight ahead.= Menjen egyenesen előre.

33. go wrong= elromlik

34. Great/Nice to meet you!= Üdvözlöm! Örülök, hogy megismerhetem!

35. Harrison Ford himself= maga Harrison Ford

36. have something in common= van valakik között valami közös

37. Here you are.= Tessék( itt van).

38. How do you do?= Üdvözlöm! Örvendek!

39. I don’t think so.= Nem hinném./Szerintem, nem.

40. I mean…= Úgy értem../Pontosabban…/Azaz...

listening6.jpg

41. I think so.= Szerintem, igen.

42. I’m afraid..=  Attól tartok...(negatív közlés bevezetésére)

43. I’m lost./I’ve got lost.= Eltévedtem.

44. immediately/instantly/right now/straight away= azonnal

45. in the middle of= valaminek a közepén

46. it all= (ez) az egész

47. it’s like…= olyan mint (a)…

48. It’s my pleasure.= Nagyon szívesen./Örömömre szolgál.

49. It’s the third street on the left.= A harmadik utca lesz az balra.

50. It’s time to leave.= Ideje indulni.

51. kind of=féle/fajta/típusú = >It's a kind of machine.=Ez egy gép/szerkezet fajta.

52. Let me see.= Lássuk csak.

53. Let’s go.= Menjünk/Induljunk.

54. look happy= boldognak látszik=>look+adjective(melléknév)=>She looks happy.=Boldognak látszik.

55. make a phone call= hívást kezdeményez

56. maybe= lehet, talán

57. Me too.= Én is.

58. make sy laugh= megnevettet vkit=>He always makes me laugh, he's so funny.=Mindig megnevettet, olyan vicces.

59. nearly= majdnem=>My gradma is nearly 100 years old.=A nagyanyám majdnem 100 éves.

60. Not yet.= Még nem. =>I haven't finished my homework yet.=Még nem fejeztem be a HF-t.

listening10.jpg

61. Oh, dear!= Te jó Isten!/Atyaég!

62. on average= átlagban/átlagosan

63. on the left (hand side)= bal oldalon

64. on the right (hand side)= jobb oldalon

65. one of the most interesting books= az egyik legérdekesebb könyv

66. perhaps= talán, esetleg

67. probably= valószínűleg

68. quite tall= egész magas

69. Really?= Tényleg?/Igazán?

70. See you around/soon/later.= Viszlát!/Majd találkozunk./Még látjuk egymást.

71. show sy around= körbevezet=>I'll show you around in Budapest.=Majd én körbevezetlek Budapesten.

72. similar to= hasonló valamihez=>We have similar interests to you.=Hozzád hasonló az érdeklődési körünk.

73. still= még mindig/akkor is => He still hasn't called.=Még mindig nem hívott fel.

74. suddenly= hirtelen

75. Tell me the truth.= Ki vele./Mondd meg az igazat.

76. That sounds good.= Jól hangzik!

77. That’s really kind of you.= Ez nagyon kedves tőled.

78. That’s right.= Így van/Jól van.

79. the opposite of= valaminek az ellentéte=>What's the opposite of 'thin'?=Mi a 'vékony' ellentéte?

80. the same part (as)= ugyanaz a rész=the same+noun=ugyanaz a valami (mint)

listening9.jpg

81. the whole evening= egész este

82. then= akkor, aztán, azután

83. things like that= ilyenek/ilyesmi(k)

84. Those were the days!= Azok a régi szép idők!

85. too (mondat/frázis végén!)= is =>I like it too.=Nekem is tetszik.

86. too hot= túl forró=too+adjective=túl ilyen/olyan

87. Turn left/right.= Forduljon balra/jobbra.

88. We painted this house ourselves.= Mi magunk festettük ki a házat.

89. Welcome to...= Isten hozott/Üdvözlünk …ban!

90. Well...= Nos.../Hát...

91. Well done!= Jól van!/Szép munka!/Helyes!/Jól csináltad!

92. What about meeting in front of the cinema?= Mi lenne/Mit szólsz/szólnál, ha a mozi előtt találkozunk/-nánk?=What about+gerund?=Mi volna/Mit szólnál, ha ezt/azt csinálnánk?

93. What about the champagne?= Mi van a pezsgővel?=>What about+noun?=Mi van a/Mi a helyzet a+(fn)-vel?

94. What do you do (for a living)?= Mi a foglalkozásod?

95. What do you mean by + noun(főnév)/gerund('-ing' ragos igealak)?= Mit értesz …alatt?

96. What do you mean?= Ezt hogy érted?

97.What sort of things?= Miféle/Milyen dolgok(at)?

98. Yes, please.= Köszönöm, igen. (Felajánlás/kínálás udvarias elfogadása!)

99. You can’t miss it.= Nem lehet eltéveszteni. (útbaigazításnál)

100. You know/you see..= Tudja/Tudod/Érti/Érted..

listening11.jpg

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NYERTES LEO INTERJÚ 2 NYELVEN!!! - GAPFILLING - The Wolf of Wall Street (lyukas szöveg)

Angol tanulás online és offline, akárhol vagy bárhol! English-Online.hu :) Nyelvtanulás és szórakozás egy helyen!

Filmszemle

és NYELVVIZSGA TÍPUSFELADAT angolul - 2013

Ez egy kombinált LISTENING-GAPFILLING feladat. 2 legyet üthetsz egy csapásra: a hallott szövegértés és a szövegkiegészítés is nyelvvizsga típusfeladatok. Hallgasd meg az interjút, ahányszor csak akarod és próbáld az üres helyeket kitölteni a hiányzó szavakkal, kifejezésekkel. A magyar fordítás segíthet, amelyet közvetlenül az angol nyelvű alatt találsz. Jó angolozást! :)

thewolf.jpg

Ha nem is OSCART, de NYERT!!!

Azaz Leonardo DiCaprio a Golden Globe díjátadón a The Wolf of Wall Street-tel!! Láttátok?
Csak itt: Exkluzív interjú LEO-val ANGOLUL ÉS MAGYAR FORDÍTÁSSAL a film üzenetéről, Jay Gatsby és Jordan összehasonlításáról, és forgatási részletekről alább by EnglishOnline.hu:

INTERVIEWER: Leonardo, please talk about what type of commentary this is _______(1) about the _____(2) that is kind of permeated in our culture. We’ve seen this on Wall Street, but it could be ___(3) business, right?

LEO: Oh, well yeah I mean it was very much our ________(4). I mean the motivation for it really came out of what ___________(5) in 2008 and the ________(6) that we wanted to get this movie out now I think that it’s very difficult to do a film with Wall Street in the title period because people just have a ___  _____(7) in their _______(8) about that ________ _______(9) but in a lot of ways this story to me is like a microcosm of a much bigger problem and that’s the the, you know,..this attitude that we’ve had about __________(10) as much as we possibly can and ___________(11) as much ________(12) as we possibly can without any _________(13) for..for the people that it ________(14) and you know these guys in the story aren’t the ___ ____(15) upon Wall Street, they’re not the ___ ____(16) but they ________(17) something in our culture and that’s what we _________(18) to ________(19) in this movie.

INTERVIEWER: Do you see a _________(20) with Jay Gatsby at all with Jordan? I mean, is there some type of ___________(21)?

LEO: Er…other than, you know, wanting to obtain as much wealth as they ____(22) possibly can ___(23) any ______(24) I think there is a _________(25) between the ____(26) of ______(27). And I think the distinction was that J. Gatsby did it for the love of Daisy and Jordan did it for the love of ________(28)..hehe.

INTERVIEWER: Actors sometimes have to do quite thick things in movies. With the extreme things you had to do, whether pretending to be on drugs and all that…How interesting was it physically for you to go through some of the _____________(29)?

LEO: Well, you know, ____(30) I’ve said before I felt like this was a modern fall of the ______(31) Empire this was like a _________(32), this was a Roman ________(33) gone ______(34) and so we wanted to put that _______(35) a modern _________(36) and so every day on ____(37) was a sort of ________(38) journey and the fun of it was you know we really wanted to push the __________(39) as far as we possibly could and in Jordan’s story so you need because he actually did _______(40) things. These’re not _________(41) a writer could create. His boat did crash, I mean, his boat did _____(42), his private plane that _____(43) to get ____(44) did crash on the _____(45) and he did do that _____(46) drugs and he did go you know and _______(47) with that many ________(48) and and and ___(49) that many people ___(50) and all these extreme __________(51) were in the ______(52) and you know it’s a __________ _____(53) in a sense that he’s reflecting back on his life now and uhm..but it’s the same time period that it happen in a modern day _______(54) and that’s why we wanted to really put it upon ________(55) because I think it was an important story to tell.

MAGYARUL:

RIPORTER: Leonardo, kérem, beszéljen arról, hogy milyen véleményt akar nyilvánítani (a film) a kapzsiságról, ami úgymond áthatja a kultúránkat? Ezt már megtapasztaltuk a Wall Streeten, de akár bármilyen üzletről is lehetne szó, nem?

LEO: Ó, hát igen, úgy értem, eléggé tükröt tartott elénk. Úgy értem, a motiváció maga tényleg abból jött, ami 2008-ban történt és az ösztönzés, hogy most jöjjünk ki ezzel a filmmel azt hiszem az, hogy elég nehéz dolog Wall Streetes filmet csinálni egy időben a történésekkel, mert az embereknek rossz a szájíze ezzel a témával kapcsolatban, de nekem ez a sztori nagyon sok tekintetben olyan mint egy sokkal nagyobb problémának a mikrokozmosza..és ez a..a… tudja, az a fajta hozzáállásunk, hogy fogyasszunk annyit, amennyi csak belénk fér, hogy szedjünk össze egy akkora vagyont, amekkorát csak tudunk minden tekintet nélkül arra, hogy más emberek életét ez hogyan befolyásolja, és tudja, nem ezek a fiúk a nagy halak a történetben, nem ők az igazi nagymenők a Wall Streeten, de a kultúránkban képviselnek valamit, és ezt akartuk megvizsgálni a filmben.

RIPORTER: Lát bármi hasonlóságot Jay Gatsby és Jordan között? Úgy értem, van valami folytonosság kettőjük között?

LEO: Ö…leszámítva, hogy mindkettő annyi gazdagságra akar szert tenni, amennyire csak tud, bármilyen áron, azt hiszem, hogy különbséget kell tennünk köztük. A különbség köztük pedig az, hogy míg Gatsby mindezt Daisy szerelméért tette, addig Jordan pusztán csak saját magáért…hehe.

RIPORTER: A színészeknek sokszor elég durva dolgokat kell megcsinálniuk filmekben. Mindazokkal a szélsőséges dolgokkal, amikkel pl. a drogfüggőség eljátszása jár, meg ilyenek…fizikailag mennyire volt érdekes keresztülmenni ezeken a megpróbáltatásokon?

LEO: Hát, ahogy azt korábban is mondtam, számomra ez olyan volt, mint a Római Birodalom bukása, mint Caligula…ez egy római császár kudarca volt és mindezt mi egy mai kontextusba akartuk helyezni, szóval minden egyes nap a forgatáson olyan volt, mint egy őrült utazás és a móka az volt az egészben, tudja, hogy megpróbáltuk feszegetni a határokat, amennyire csak lehetséges. És Jordan sztorijában így is kellett csinálni, mivel ő tényleg megtette ezeket a dolgokat. Ezek nem olyan részletek, amiket egy író ki tud találni. Az ő hajója tényleg ripityára törött, azaz elsüllyedt, a magángépe, ami őt jött menteni, tényleg felrobbant útközben és ő tényleg annyit drogozott, annyi nőt fektetett le és valóban annyi embert használt ki, és ezek a szélsőséges helyzetek mind benne vannak a könyvben, és tudja, ez bizonyos értelemben egy elrettentő példa/tanulságos mese abban, ahogy ez az életére rányomta a bélyegét végül..és ö..de mindez mai kontextusba van helyezve és ezért akartuk annyira filmre vinni, mert szerintem ez egy olyan történet, amit fontos volt elmondani az embereknek.


Congratulations Leo!

 

KEY:

INTERVIEWER: Leonardo, please talk about what type of commentary this is MAKING (1) about the GREED (2) that is kind of permeated in our culture. We’ve seen this on Wall Street, but it could be ANY (3) business, right?

LEO: Oh, well yeah I mean it was very much our REFLECTION (4). I mean the motivation for it really came out of what HAPPENED (5) in 2008 and the INCENTIVE (6) that we wanted to get this movie out now I think that it’s very difficult to do a film with Wall Street in the title period because people just have a BAD TASTE (7) in their MOUTH (8) about that SUBJECT MATTER (9) but in a lot of ways this story to me is like a microcosm of a much bigger problem and that’s the the, you know,..this this attitude that we’ve had about CONSUMING (10) as much as we possibly can and OBTAINING (11) as much WEALTH (12) as we possibly can without any REGARD (13) for..for the people that it AFFECTS (14) and you know these guys in the story aren’t the BIG FISH (15) upon Wall Street, they’re not the FAT CATS (16) but they REPRESENT (17) something in our culture and that’s what we WANTED (18) to EXPLORE (19) in this movie.

INTERVIEWER: Do you see a SIMILARITY (20) with Jay Gatsby at all with Jordan? I mean, is there some type of CONTINUATION (21)?

LEO: Er…other than, you know, wanting to obtain as much wealth as they BOTH (22) possibly can AT (23) any COST (24) I think there is a DISTINCTION (25) between the TWO (26) of THEM (27). And I think the distinction was that J. Gatsby did it for the love of Daisy and Jordan did it for the love of HIMSELF (28)..hehe.

INTERVIEWER: Actors sometimes have to do quite thick things in movies. With the extreme things you had to do, whether pretending to be on drugs and all that…How interesting was it physically for you to go through some of the ASSIGNMENTS (29)?

LEO: Well, you know, LIKE (30) I’ve said before I felt like this was a modern fall of the ROMAN (31) Empire this was like a CALIGULA (32), this was a Roman EMPEROR (33) gone AWRY (34) and so we wanted to put that INTO (35) a modern CONTEXT (36) and so every day on SET (37) was a sort of INSANE (38) journey and the fun of it was you know we really wanted to push the BOUNDARIES (39) as far as we possibly could and in Jordan’s story so you need because he actually did THESE (40) things. These’re not SOMETHING (41) a writer could create. His boat did crash, I mean, his boat did SINK (42), his private plane that CAME (43) to get HIM (44) did crash on the WAY (45) and he did do that MANY (46) drugs and he did go you know and SLEEP (47) with that many WOMEN (48) and and and RIPPED (49) that many people OFF (50) and all these extreme CIRCUMSTANCES (51) were in the BOOK (52) and you know it’s a CAUTIONARY TALE (53) in a sense that he’s reflecting back on his life now and uhm..but it’s the same time period that it happen in a modern day CONTEXT (54) and that’s why we wanted to really put it upon SCREEN (55) because I think it was an important story to tell.

 

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WHY COMPANIES SHOULD TAKE COMPLAINTS SERIOUSLY (IGAZ/HAMIS szövegértés feladat)

Angol tanulás online és offline, akárhol vagy bárhol! English-Online.hu :) Nyelvtanulás és szórakozás egy helyen!

Reklamáltál már valaha ha problémád akadt egy szolgáltató céggel? Vagy nem igazán hinnéd, hogy valódi lépést tesznek az ügyedben? Valójában nagyon is fontos a véleményed - s így te magad is - nekik. Olvasd el mi mindent vesz stratégiájába egy sikeres és jó hírű szervezet, hogy megtartsa vásárlóit és ügyfeleit, majd oldd meg ezt az IGAZ/HAMIS állításos szövegértés feladatot.

DEALING WITH COMPLAINTS

Dealing well with complaints shows how important customer care is for your company. It shows that you listen to your customers, that you want to learn from your mistakes and that you are continually trying to improve your services.

Below are some tips for dealing with complaints.

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TAKE EACH COMPLAINT SERIOUSLY

If you deal with a complaint in the wrong way, one unhappy customer may tell many more people about your poor service. On the other hand, if you deal with a complaint successfully, that customer will probably do business with you again. Remember that finding new customers is much more expensive than keeping current ones.

LISTEN TO YOUR CUSTOMERS AND SHOW THEM YOU UNDERSTAND WHAT THEY ARE FEELING

Listen carefully to your callers and let them get rid of their anger and frustration. Try to see things from their point of view and make sure you show them that you understand their problem.

ADMIT THAT A MISTAKE HAS BEEN MADE AND SAY SORRY

If the customer thinks something is a complaint, then it is, even if you think the problem is not important. If your company has really made a mistake, say so and apologize. Even if you think a mistake has not been made, show the customer that you understand the problem. Never tell the customer that the complaint is not important.
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ACCEPT PERSONAL RESPONSIBILITY

Even if you are not directly responsible for the mistake, it is not important for the customer whose fault it really is. You are the face of your organization and it is your responsibility to solve the problem. If you are not able to do so yourself, find the person who can. Make sure you support the customer until the right person can help.

TAKE IMMEDIATE ACTION

Customers want their problems solved quickly. Acting fast shows customers that you take them and their problems seriously.

OFFER COMPENSATION

If possible, try to compensate customers for a mistake, e.g. by giving a small discount. Often the fact that you are giving some kind of compensation is more important than the compensation itself.

THANK THE CUSTOMERS FOR MAKING THE COMPLAINT

This may sound illogical, but complaints are the best feedback you can get. They show how you can improve your service and make your customers more satisfied.
(Adapted from Quick Training)
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Mark the statements true (T) or false (F).

1. Companies solely deal with complaints in order not to lose customers.
2. It is just as easy to find a new customer as keeping one.
3. If you deal with a customer complaint well, they'll tell their friends about it.
4. Showing empathy is very important when customers turn to you with their problems.
5. In case your company in fact has not made a mistake, you should not take the complaint seriously.
6. Companies do not have to express they were wrong (even if it's true), but it is polite to say sorry.
7. It is crucial to find the person responsible for the given problem and sort it out with their help.
8. Act as fast as you can so that customers won't take actions against you faster.
9. The bigger the compensation the better.
10. As a representative of the company, you should communicate to the customer that you are grateful for constructive criticism.

CHECK THE KEY HERE!

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ANGOL NYELVVIZSGA TRÉNING: TRUE-FALSE szövegértés feladat ANGELINA JOLIE-val!

Angol tanulás online és offline, akárhol vagy bárhol! English-Online.hu :) Nyelvtanulás és szórakozás egy helyen!

Hailed an inspiration for her brave decision

ANGELINA JOLIE reveals she has had further surgery to

beat the cancer that claimed her mother's life

A nemzetközi sajtó tele van Angelina legutóbbi műtétjével, melynek tanulságos részleteit a New York Timesban is felfedte, hogy eljusson üzenete a vele hasonló rákkal szembenéző nőkhöz.

Egyszerűen nem találni olyan nyelvvizsgát, amelynek ne volna szövegértés része, ráadásul eléggé súlyozottan is szerepel ez a típusú feladat a nyelvvizsgán. Az english-online.blog.hu-n olyan cikkeket dolgozok fel neked, ami téged is jobban érdekel és tele van vele a média. Olvasd el a cikket és próbáld először az IGAZ/HAMIS állításos feladatot megoldani a cikk végén. Ha gondot okozott egy-két idegen szó, csak ezek után nézd meg a szószedetet.

A FELADATOT A LENTI KÉPRE VAGY IDE KATTINTVA INTERAKTÍVAN IS MEGOLDHATOD ONLINE!!

 

Angelina Jolie has revealed that she has endured a second round of surgery in a bid to prevent cancer - and her decision to speak out once again about her personal medical history has been praised by experts as helping to save lives.

angelina.jpg

Last week, an article written by the Oscar-winning star appeared in The New York Times, in which she explained that she has had her ovaries and fallopian tubes removed to avoid developing ovarian cancer - and as a result, she is undergoing the menopause and will not be able to have any more children.

Doctors were quick to salute her for the article, saying it would help focus attention on ovarian cancer.

Gynaecological oncologist Dr Antoinette Sakaris said: "Ovarian cancer is less well known (than breast cancer) and less commented on. Improving that is crucial. I think this could save lives.

Two years ago, Angelina, who has six children with husband Brad Pitt - three of whom were adopted - underwent a double mastectomy after discovering that she has the BRCA1 gene fault that greatly increases the chances of contracting breast and ovarian cancer. She lost her mother, aunt and grandmother to the disease.

In her New York Times piece, headlined Angelina Jolie Pitt: Diary of a Surgery, the 39-year-old actress and film-maker revealed that she has always planned to have her ovaries and fallopian tubes removed after her mastectomy, but because the surgery has such severe effect on a woman's body, she had hoped to have more time to plan for the operation.

Unfortunately, she heard in early March that an annual blood test has showed up markers that can indicate early signs of cancer - leaving Angelina with an anxious five-day wait to learn whether she had already developed the disease.

"I went through what I imagine thousands of other women have felt," she wrote. "I told myself to stay calm, to be strong and that I had no reason to think I wouldn't live to see my children grow up and to meet my grandchildren".

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BRAD BY HER SIDE

Luckily, she had stong support. "I called my husband in France, who was on a plane within hours. The beautiful thing about such moments in life is that there is so much clarity. You know what you live for and what matters."

She said that it was hard to carry on as she waited for the results of further tests. "I passed those five days in a haze, attending my children (Zahara and Shiloh)'s soccer game, and working to stay calm and focused.

After being told the happy news that she was cancer free, Angelina decided to undergo the next stage of her surgery immediately. "Regardless of the hormone replacements I'm taking, I am now in menopause," she revealed. "I will not be able to have any more children and I expect some physical changes. But I feel at ease...it is nothing to be feared. 

After revealing her double mastectomy in 2013, the actress was praised by medical experts for putting the spotlight on preventative cancer surgery, helping other women with gene faults to make this difficult decision. But last week, Angelina took pains to ensure that readers knew there were other options to surgery.

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"I did not do this solely because I carry the BRCA1 gene mutation and I want other women to know this," she said. "A positive BRCA test does not mean a leap to surgery. There are other options...In my case, the doctors I met agreed that surgery was the best option, because on top of the BRCA gene, three women in my family died from cancer."

She added that the surgery did not guarantee that she would never develop cancer. "It is not possible to remove all risk, and the fact is I remain prone to cancer. I will look for natural ways to strengthen my immune system. I feel feminine, and grounded in the choices I am making for myself and my family. I know my children will never have to say, 'My mom died of ovarian cancer.'"

(Adapted from the British Press)

 IRATKOZZ FEL az ANGOL VLOGyoutube_even_smaller.pngnyelvoktató csatornámra!

Read the article about Angelina Jolie and mark the statements TRUE (T) of FALSE (F).

 

1. Angelina has had another surgery because the first one wasn't successful.

2. Doctors aren't happy to learn that Angelina breaks medical secrecy about her state of health.

3. The actress has had an operation because she wants no more children.

4. The gynaecological expert remarked that breast cancer is better known than ovarian cancer, which should be different.

5. Angelina has never been able to give birth so her husband Brad Pitt and she decided to adopt six children.

6. Three of Angelina's family members died of ovarian cancer.

7. Angelina appreciates that she has a husband whose first priority is obviously his family.

8. Angelina was absolutely unable to take part in any events as she was too worried waiting for her medical test results.

9. Angelina is now relieved that she knows she no longer has to live in fear of getting cancer.

10. As Angelina puts it, preventative cancer surgery means that you undergo an operation because you have no choice.

 

GLOSSARY:

to hail= eláraszt, rázúdít

brave= bátor

to beat= legyőz

to claim= követel

to endure= kiáll, elszenved

in a bid to= valami megkísérlésére

to praise= dícsér

ovaries= petefészek

fallopian tubes= petevezetékek

ovarian cancer= petefészekrák

to undergo= keresztülmegy

menopause= klimax

to salute= üdvözöl, tiszteleg

gynaecological oncologist= nőgyógyász onkológus (rákspecialista)

well-known= ismert

to improve that= javítani ezen

crucial= létfontosságú, kritikusan fontos

double mastectomy= mindkét mell eltávolítása

gene fault= hibás gén

to increase= növekszik

annual blood test= éves véreredmény

marker= jel

to indicate= mutat, jelez

to contract= betegséget megkap

headlined= főcímmel

diary= napló

to reveal= felfed, feltár, elmond

to remove= eltávolít

severe= komoly, súlyos

cancer= rák

to develop= kifejlődik benne

disease= betegség

reason= ok, indok

support= támogatás, segítség

within hours= pár órán belül

clarity= világosság, egyértelműség

to matter= számít

to carry on= kitart

results of further tests= további vizsgálatok eredményei

to pass= sikerülnek a vizsgálatok, pozitív eredményeket kap  

haze= szellemi zűrzavar, homály 

to attend= elmegy eseményre, részt vesz

soccer= foci

the next stage= a következő szint, lépés

surgery= operáció 

immediately= azonnal

regardless of= tekintet nélkül vmire

replacements= pótló tabletták

to take= szed gyógyszert 

I feel at ease= megkönnyebbültem

it is nothing to be feared= ettől nem kell/nincs miért tartanom

spotlight= reflektorfény

preventative= megelőző

make a decision= döntést hoz

take pains to ensure= veszi a fáradságot/azon fáradozik, hogy megbizonyosodjon róla

solely= csupán, mindössze

to carry= hordoz

gene muatation= gén mutáció

a leap to= ugrás valahová

on top of sg= ráadásul vmire/nem elég, hogy... még...is

to add= hozzátesz

to guarantee= garantál

risk= kockázat

remain prone to= hajlamos marad

to strengthen= megerősít

immune system= immunrendszer

feminine= nőies

grounded= bizonyos, biztos, szilárd, megfontolt, megalapozott

 

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Cheers,

Melinda

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